
Jean Rouch
Biography
Jean Rouch (French: [ʁuʃ]; 31 May 1917, Paris – 18 February 2004, Niger) was a French filmmaker and anthropologist. He is considered to be one of the founders of cinéma-vérité in France, which shared the aesthetics of the direct cinema. Rouch's practice as a filmmaker for over sixty years in Africa, was characterized by the idea of shared anthropology. Influenced by his discovery of surrealism in his early twenties, many of his films blur the line between fiction and documentary, creating a new style of ethnofiction. He was also hailed by the French New Wave as one of theirs. His seminal film Me a Black (Moi, un noir) pioneered the technique of jump cut popularized by Jean-Luc Godard. Godard said of Rouch in the Cahiers du Cinéma (Notebooks on Cinema) n°94 April 1959, "In charge of research for the Musée de l'Homme (French, "Museum of Man") Is there a better definition for a filmmaker?" Along his career, Rouch was no stranger to controversy.
Movies

Ispahan: A Persian Letter (The Chah Mosque at Ispahan)
1977

The Lovely Month of May
1963

The Dreamed Films
2010

Chronicle of a Summer
1961

The Mad Masters
1955

La Nouvelle Vague par elle-même
1964

Cinéma, de notre temps: Mosso, mosso (Jean Rouch comme si...)
1999

Letter to Jean Rouch
1992

Samba the Great
1977

The Doll
1962

Son of Gascogne
1995

Cinématon
1978